The narrative only adds to this experience, as it introduces compelling story elements that range from quick bouts of action to charming tales of romance. Learning about this complex system of nature and culture is an awesome experience and makes this book worthwhile all on its own. In this collection, readers discover a whole new universe, one inhabited by strange creatures and unique societies. 1, by Brenden Fletcher, is a bold introduction to a world of intrigue and wonder.

Anyone can enjoy this book, but those looking for beautiful artwork or fascinating worldbuilding will be specifically rewarded. This is a polished book, from both a visual and narrative standpoint, making for an incredibly enjoyable reading experience. Breathtaking visuals and an interesting narrative hook readers from the start and things only evolve from there. Overall: In this book, readers see the start of an epic journey and discover the wonder of a whole new world. The artwork is gorgeous and enhances the book at every turn.Ĭons: The book starts deep in media res, which makes the first half very confusing. The plotline is captivating and the characters are interesting. The worldbuilding works with the art to fill the book with an awesome feeling of wonder. x 12-in., 400 pages, PC/PB&W.Pros: The worldbuilding here is impressive and helps create a truly compelling world. To flesh out the complete story of his life and art, Mullaney and Canwell have conducted wide-ranging interviews with dozens of Toth's peers, friends, and family members. A special section collects, for the first time, the complete Jon Fury pages that Toth produced while in the army, a section that alone is worth the price of admission. Written by the Eisner Award-winning team of Dean Mullaney and Bruce Canwell - who produced Scorchy Smith and the Art of Noel Sickles-Genius, Isolated includes many examples of Toth's art, from his earliest stories at DC in the 1940s, his defining work at Standard, his incomparable Zorro comics in the 1950s, examples from his thousands of drawings for animation studios, through his mature-and some say best-work, such as Bravo For Adventure, in the 1970s and '80s. Written by Dean Mullaney and Bruce Canwell.

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Isola volume 1